“Covert Operations: Public-Making and Unmaking in Deepa Dhanraj’s Something Like a War” in Feminist Worldmaking and the Moving Image, forthcoming from MIT Press in August 2022
Essay on Terence Davies’s A Quiet Passion for Textur #3, published by the Viennale
“Dreams of History:” Essay on Cheryl Dunye’s Watermelon Woman for essay collection I Am Independent, published by the Jeonju International Film Festival
Joanna Hogg and the Art of Life for The Nation
Feature profile of the filmmaker Haile Gerima for The New York Times
Interview with Terence Davies on Benediction for the Film Comment Podcast
“Seeing is Believing“: Liner Essay for the Criterion Collection edition of Satyajit Ray’s Devi
“Undine Review: Angel of History” for Film Comment
“A New India Finds Its Voice in the Films of Bimal Roy” for the Criterion Collection
“‘What Next, After Protest?’ An Interview with Ephraim Asili” for The New York Review of Books
Interview with Barry Jenkins and feature on The Underground Railroad for the May 2021 cover of Sight & Sound
“Five International Movies to Stream” monthly column for The New York Times
An Interview with John Akomfrah for Caligari
On Abbas Kiarostami’s And Life Goes On and cross-cultural cinephilia for Reverse Shot
On There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse for CinemaScope
Interview with Indian documentarian Deepa Dhanraj about the pioneering feminist Yugantar Film Collective for Field Notes
“An Anguish at Arm’s Length: Supriya Choudhury in The Cloud-Capped Star“ for the Criterion Collection
“Borat Subsequent Moviefilm Review: More Cultural Learnings” for The New York Times
“I Think We’re Alone Now” for Film Comment
“Crossing Over the Last Decade with Mati Diop” for Cultured Magazine
“Letter to an Unknown Decade” for the end-of-2020 issue of Film Comment
Interview with Greta Gerwig on Little Women for the Nov-Dec 2020 cover of Film Comment
Interview with Steven Yeun on Burning for Film Comment
“Lucrecia Martel’s Zama Lays Bare the Delusions of a Colonial Official” for The Village Voice
On anticolonial science fiction and Ryan Coogler’s Black Panther for the March-April 2019 cover of Film Comment